Interpretation
A communication process designed to reveal to a specific audience the significance of a historic / cultural / natural site or museum and the audience’s relationship with it in a first-hand experience that involves interaction with another person, place, object or artefact. Live interpretation and museum theatre are two, highly effective, forms of interpretative technique.
Live Interpretation
A broad term used to cover any live interaction between museum or site staff and visitors. This includes many living history-type activities, ranging from non-costumed demonstrations of historical craft to storytelling and costumed first- and third-person interpretation, The term is also used to cover activities such as guided tours, education workshops, theatre performances and demonstrations.
Museum Theatre
A specific kind of interpretation that employs fictional activity to communicate ideas, facts and concepts. A museum-theatre performer assumes the role of a character (as a solo gallery character, an interpreter or as part of a play or scenario) in order to entertain and educate visitors. They take on the role of a particular character in a particular circumstance in order to help visitors appreciate and understand the story at hand and, through this, some aspect of the host museum or site.
First Person Interpretation
Where an interpreter assumes a particular role, often (but not always) in appropriate costume, under the premise that the character has moved forward through time to the audience's present, or that the audience has travelled back to the past and joined the characterin its assumed time.
Third Person Interpretation
Where an interpreter dresses in appropriate costume and has full knowledge of the life of a particular character or specific era, but does not assume that role (i.e. can speak authoritatively of the character’s life and times, but remains a 21st century person discussing the past).
Living History
A very broad term used to describe historically authentic activities in an appropriate context, often an open air museum. Interpreters engaged in living history may be in character (see First Person) or simply in costume (see Third Person).
Re-enactment
A detailed recreation (often by a large number of people) of a single short-term historical event (such as a battle, designed to attract a large number of spectators), where action, costume and combat often take precedence over the spoken word.
Role Play
Where the audience as well as the interpreter takes on a role or roles within a particular scenario or performance which supports the plot, which may or may not involve advance preparation and the wearing of appropriate costume.
Storytelling
Where the interpreter focuses on relating a particular story rather than on wearing an authentic costume or playing a particular character.
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